daisyfuck:

me reservo el derecho a vestirme como me de la gana
translation: i reserve the right to dress as I please


That’s right

daisyfuck:

me reservo el derecho a vestirme como me de la gana

translation: i reserve the right to dress as I please

That’s right

(Source: conganasdeviento)

815 notes

anarchafeminist:

The only reason I continue being a nanny is for this reason. Children remind us of the wonder and infinite possibilities that life presents. I hate hearing people complain about their jobs and their lives when all they have to do is change it. Life is what you make it and that’s it.

anarchafeminist:

The only reason I continue being a nanny is for this reason. Children remind us of the wonder and infinite possibilities that life presents. I hate hearing people complain about their jobs and their lives when all they have to do is change it. Life is what you make it and that’s it.

(Source: uglyuglyugly)

412 notes

liquorinthefront:

A Series Of Questions

This ongoing body of work explores the power dynamics inherent in the questions asked of transgender, transsexual, genderqueer, gender non-conforming, and gender-variant people.

See more photos here.

7,990 notes

ssdmmfr:

Artist:

Ah Xian

   “Ah Xian was born in Beijing in 1960. Initially trained as a painter, Ah Xian was a practising artist in China throughout the 1980s. Following the events in Tiananmen Square in 1989, he sought political asylum in Australia and moved to Sydney in 1990. Since the 1990s, Ah Xian has united traditional Chinese materials and techniques with a contemporary sculptural practice to address issues surrounding cultural displacement, identity politics and the relationship between East and West. His recent works continue to explore the material and symbolic possibilities of techniques such as lacquer-ware, bronze and cloisonné to represent the human form. In 1999 Ah Xian was included in the Third Asia-Pacific Triennial of Contemporary Art at the Queensland Art Gallery, Brisbane. Major solo exhibitions include China, China – Recent Porcelain Works of Ah Xian, Beijing Teachers University, Beijing, and Queensland Art Gallery, Brisbane, 2000; and Ah Xian Meets Jingdezhen, Museum of Frankfurt, Germany, 2002. Ah Xian lives in Sydney.”

834 notes

julianplowden:

this kinda makes me sad

this is so insightful

137,617 notes

blodnatt:

sdfajklñsdgasjñdklgñd xd

blodnatt:

sdfajklñsdgasjñdklgñd xd

(Source: phercandyglee)

176 notes

idreamcreateandadmire:

Knitted skulls, by Hildur Bjarnadottir

” When I was four years old my mother taught me how to knit, crochet and sew. I was raised immersed in a textile environment. My mother was a knitting and sewing teacher, and I would constantly be knitting or making crafts.

One thing my mother did not teach me was to follow patterns; everything I made she had me design myself. The line between art and craft is hazy, and is based on context as well as concept.

In my art I explore this fine line between decorative, usable crafts and conceptual art. My work takes the focus from the usefulness and beauty that textiles are generally connected with and places it more on simple techniques and the inherent properties of the materials. I work with as well as against the materials and traditional textile rules.” – Hildur Bjarnadottir

2,239 notes